Bandunger Beiträge zur Miniklonforschung

by Svann E. Langguth

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1.	1 03:02	buy track
2.	2.1 02:21	buy track
3.	2.2 04:26	buy track
4.	3 04:15	buy track
5.	4.1 00:47	buy track
6.	4.2 02:29	buy track
7.	5 02:38	buy track
8.	6 15:13	buy track

about

This contributions (Beiträge) demand a certain kind of aware listening. Small pieces need to be discovered and put into relation to each other. What is related, what has just been placed adjacent?

Despite its quite academic approach one can easily hear, Svann E. Langguth must have ha a certain kind of fun playing around with the given acoustic material.
The material was taken from a recording in the year 2001 with the group Miniklon from Berlin (Dirk Specht, Patrick Laschet und Michael Nick). The group itself never worked with this recordings or has, until now, published anything from it. In 2005, during his stay in Bandung, Indonesia, Svann E. Langguth worked with this recordings.

The outcome are some sonic metamorphosises from Miniklon, preparations from an acoustic surgery, or (one might say) an autopsy, as Miniklon have broken up recently. There are no structural parallels with the pieces from Miniklon, only the sonic aesthetic is inspired by the sounds of Miniklon.

The “unsolicited contributions” (unverlangt eingesandt) are the first four pieces to the play “Black Box” (2005) from Hikmat Gumelar, that deals with the genozide 1965 in Indonesia.

credits

released December 10, 2010

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about

Svann E. Langguth Aachen, Germany

Svann E. Langguth, born 1966 in Talence.
PhD in Malaiologie and dilettante in elektroacustic.
Member of the Therapeutischen Hörgruppe Köln and active participant of the Drehkommando.

He used to be a ciblon drummer at traditional (Laras Kulon) and experimental (Nyai Kangkung) gamelangroups.

His first instrument was the Uher Variocord 263 in 1983.

Recently he’s become an eager CMOS-tinker. ... more

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